Daniel McDonald
Artist’s Statement:
Painting and Printmaking
The complexity of the art world is curious, it has spawned many different artists in so many directions in the last century. Looking back, I discovered that the direction I related to is “. . .free art from the burden of object.” — Kasimir Malevich. I appreciate the pure and simple aesthetic and I have always related to a spontaneous approach in painting and printmaking.
In time, I realize with my commitment to non-objective art, I still have an interest in figuartive and representational works. I do not strive to replicate but I am inspired by borrowed imagery from many sources.
I have been doing silk screens and using the technique that I use in painting and applying that in the printing process. My work is accomplished by randomly repeating patterns on a grid. I have found that silk screen lends itself to experimentation. A painting can eventually get around to the printmaking process,
or the print may inspire the painting. My application in silk screen can be quite painterly, doing multiple layers and several impressions.
The “Horizontal Triptych” series, is an experiment of silk screen first, then the paintings. Working on the paintings, the first piece “I” is a literal translation of the silk screen, “Book.” The other two follow up on a different course, more painterly, less graphic.